Four Years

After two lonely November 6ths in different continents, Alec and I finally managed to celebrate our fourth anniversary together two Sundays ago without the aid of undersea fibre-optic cables. This rocked.

My posts here about Alec have become popular among many of you regular readers because they generally describe the latest self-mortification, idiocy or utter weirdness that this man has managed to involve himself in. But just for once, I’d like to say something about my boyfriend which doesn’t involve ritual degradation. Indulge me for a moment.

Four months after we started going out, Alec chose Valentine’s Day to tell me that he would move to Singapore for me when I returned to serve my bond. I was a little taken aback – he had never been to Singapore, and it was theoretically possible that I might turn out to be an unfanciable psycho bitch in time to come. How on earth could he be sure I was worth it, after just four months? But that’s a weird thing about this man – he might dither for ages about where to go for dinner, but for things that matter he is always decisive.

For various reasons, he couldn’t follow me right away. For one and a half years we sustained our relationship through daily phone calls and occasional wonderful holidays. Many other couples have gone through worse, but many have also been unable to last through less. I’m proud that we got through it so well.

He moved here in January, and started looking for work. He treated job searching like a job in itself, spending the work week elbow-deep in CVs, cover letters and the Saturday classifieds. He hung out with my mum. He volunteered at Riding For The Disabled. And in typical fashion, despite a lot of disappointment and frustration which I can’t even begin to describe here, he hardly ever whined.

Finally, his efforts in building up contacts from scratch paid off, and he now has a good job. He so fucking deserves it.

He’s adapted well to Singapore. He eats hawker food with as much gusto (and chilli) as any Singaporean. He detests the sort of expats who stick only to their own kind, and takes a dim view of those who make no effort to bridge cultural gaps. Perhaps this is why Singaporeans have been so universally nice to him.

He gets on incredibly well with my family, and they with him. He regularly cooks everyone multi-course Western and Asian dinners. When my mother had chicken pox recently, he seriously considered taking (unpaid) leave to help look after her until she insisted it wasn’t necessary.

I could go on, about his popularity with my friends, about how even after four years a chance five-minute meeting with him on the number 14 bus in the morning is enough to make my whole day, but I’m trying to keep an eye on the mush quotient of this post.

Stating that it takes effort to build a solid, happy relationship sounds like a useless truism, and I’ve certainly spouted it enough times when trying to help my friends through relationship problems. But I have a confession to make – I’ve never personally identified with it, even though I know it makes sense in theory.

Because I look back on four years with this man, this thoughtful, trustworthy, hilarious, romantic, utterly endearing man who through some miracle chooses to be with me, and the effort eludes me. It’s kind of like this photograph below, which I took on our anniversary. It required very little effort or artistic skill to capture, merely the ability to recognize something beautiful.

Sunset on a kelong in Bintan, Indonesia

London 2005: V&A, Serpentine Gallery, Notting Hill

Day Six: Tuesday 9 August

 

V&A Museum architecture (detail)

In the V&A’s lovely John Madjewski courtyard, we start off lolling on a shady expanse of lawn, enjoying a delicious takeaway briyani lunch and the feel of grass between our toes. Russ rolls around on the ground taking photographs of me from various angles. He uses a balletic leg in the air to point in the direction he wants me to look, which does the trick of dissolving my usual self-conscious photo look with laughter.

 

V&A John Madjewski Courtyard

Kids are running in the fountain. (Click on the photo to see them, they’re rather small as kids tend to be.) As soon as we finish our lunch, we become the only adults in the fountain unaccompanied by children.

 

These two amuse me because of their reluctance to sit on the many available chairs. They leave little wet bumprints on the ground when they stand up to run back into the fountain.

 

The hugely endearing 70 Years of Penguin Design exhibition is the main reason for our visit, but while we’re there we also take a quick look at the RIBA Stirling prizewinners of the last decade. Apart from my beloved Gherkin, I also like Foster and Partners’ American Air Museum in Duxford, the winner for 1998.

From here it’s a nice walk to Hyde Park, where we eyeball this year’s huge flatpack armadillo

Summer Pavilion and visit Rirkrit Tiravanika’s Rirkritrospective in the Serpentine Gallery. (Methinks Mr Tiravanika and I share a similar sense of verbal humour.) Two of the installations here are mock-ups of the artist’s New York apartment, and gallery visitors are encouraged to make themselves at home. People are sitting chatting in the kitchen, lounging in front of the TV, scrawling on the clapboard floors and walls. Two selections:

Dear Rirkrit,

You need to stop living in these dumps. Find a nice girl & settle down, bring up some children, get a steady job in management.

Love, Dad.

And:

I read the use-by date on something in the fridge; it expired in July.

Dinner at the Windsor Castle involves paying rather dearly for its considerable charm – £8.50 for my salad, £1.50 for a small glass of shitty mixed cola – but it’s the only pub I’ve ever been to in England which still has all its sections intact. It’s fun watching everyone else having to bend almost double to cross from one section to the next when you hardly have to do so yourself.

We get to Being Boiled at the Notting Hill Arts Club while entry is still free. Dave and Jeremy join us later on. I enjoy happy hour not because of the drink promotions (the £2 Troy beer from Turkey is pretty awful) but because they’re playing good electrohouse. Nothing special in London of course, but truly music to my Singapore-deadened ears.

Dahlia, tonight’s live act, does Peaches-stylie riotgrrrl electrocabaret while wearing lingerie, fishnets and stilettos. I think I would have enjoyed it more if I’d found her sexy but her gyrations mostly remind me of muscly calisthenics and I later reduce Russ to helpless giggles on the dancefloor with my very own Dahlia imitation, featuring a piercing gaze, a lingering, beckoning, finger, and then manic hip-jerking. It works especially well to Tainted Love, but falls apart horribly once I try it with Vitalic.

On the long tube ride back to Wimbledon I suddenly remember it was National Day in Singapore today. I had totally forgotten. I can’t help being struck by the contrast – how easily and tracelessly Singapore slips away once I am here, and how two years after leaving London for Singapore I still ache for it every day.

 

Dispensable

Me: Aaargh, while trying to redesign my blog I don’t have any time to update it.
Alec: I could update it in your place! “Hi! I hate everything! This band sucks squid semen!”
Me: ……
Alec: No one would know it wasn’t you.

Career Suicide Who?

It might get a little quiet round here in the next few days as I try to get my arse in gear for a redesign.

In the meantime, here’s a joke I told to the boss of a glamorous department in my company where lots of ambitious high-flyers want to work.

Me: Knock knock.
Boss: Who’s there?
Me: The interrupting cow.
Boss: The interrupting c…
Me: MOO!

I expect his offer of a prime position, company car and tenfold salary increase to arrive shortly, don’t you?

Random Rules Rules

Oh! Oh! Stylus’s latest Perfect Moments In Pop instalment features a song I adore – Random Rules, by the Silver Jews – and is absolutely spot-on about what makes the song and the band so quietly stupendous.

In fact, the almost complete congruence between the sentiments of the article and my three-year-old post about the same song, is actually kinda freaky. Checkit.

My Funky Boyfriend

#1

(At McDonald’s)

Me: Aaaargh! You slop ketchup right onto your fries rather than using a separate ketchup serviette!
Alec: Yeah, why not?
Me: Because your ketchup doesn’t get equally distributed across the fries that way.

Alec: But why does it have to be equally distributed? Using my way, I get 2 possible distributions across the fries. The binomial distribution determines whether a fry gets ketchup or not. And then if there is ketchup, the amount of ketchup the fry gets is in a normal distribution. I’m fine with this.
Me: ……
Alec: What?

#2

(In a conversation about stag parties)

Alec: I don’t have any objections to lap-top dancing.

Neu! Used! S$10!

Music-related activities of last weekend included microhouse at Jacob’s rathermacrohouse on Friday (Jacob and Cherry spinning, me listening, Alec reading comics), and DJ Dexter (of Avalanches fame) at DXO on Saturday, but I have to dorkily admit that despite these very enjoyable social and musical activities, my weekend’s most intense moment of musical joy was walking into Flux Us and finding a used copy of Neu! going for S$10, after having had it on my Django’s wishlist for the past four years.

“Without Neu! there may have been no Pitchfork. Neu anticipates us all,” gushed Pitchfork when the band’s first three albums, previously available only as Japanese imports in exchange for a kidney, were remastered and re-released in 2001. And you know, although my views have diverged from Pitchfork’s often enough to warrant some caution here (*cough*thearcadefire9.7myarse*cough*), this time I’m really feeling the love. Believe the hype.

This album begins with a sound Neu! made and Sonic Youth taught me to love. Hallogallo’s insistent guitars and propulsive beats are exploratory but never directionless; I can’t explain how I know from the start that it’s going to take me somewhere I want to be, I just know. By the time we reach (exquisite) meltdown it fades almost too suddenly for me to bear even after the 10 minutes of build-up, and recedes into a distant shimmering chaos I can only stagger towards.

Sonderangebot is part tense experimental soundscape, part expansive prog noodling, and it bridges the journey between the two with the sort of scary shocking sound they use in Asian horror movies when the protagonist gets a sudden flash glimpse of THE GHOST! Best workout my stereo’s had since Knifehandchop.

Weissensee doesn’t do much for me, I must admit. It’s like Pink Floyd wandering around a bit lost and ending up…still a bit lost.

I realize it sounds loopy to say this, but Im Glück feels like emerging from the Ark the morning after the great flood. Paddling slowly through devastation, accompanied by a funereal bass drone. Notes beginning to melt in, breathe, pulsate, as glimmers of hope appear on the horizon. After notes, then chords. Birdcries in the distance, as the drone fades away. Long before Boards Of Canada, long before The Books, and 3 years before Brian Eno made Another Green World.

Negativland starts off with abrasive dissonant noise and squalling guitars, and then it escalates from there. In other words, this song is Michelle Heaven.

Lieber Honig interrupts Negativland mid-screech, and teleports us somewhere totally different with sparse plucks, wheezed, abstract vocals, and the same found sounds they used in Im Glück – barely audible voices, paddles on water. We are still travelling when the album ends.

In a conversation with someone at my first Yo La Tengo gig, I bemoaned the fact that I just couldn’t seem to get my hands on a used copy of I Can Hear The Heart Beating As One. (I’m generally too poor to buy anything when it’s new.) “Well of course,” he said, “who would sell that album after hearing it?”

This is what I’m wondering now, about Neu!. Who? Why? But nevertheless – thank you!

“Unless” I’m Missing Something

The book I’m reading now is Carol Shields’ Unless, which I grabbed hurriedly while charging around a closing library. She’s quite a celebrated writer, and the book was nominated for prizes and shit.

Here is an excerpt from the book:

“Tom has asked me once or twice what it is we talk about on Tuesday mornings, but I just shake my head. It’s too rich to describe, and too uneven. Chit-chat, some people call it. We talk about our bodies, our vanities, our dearest desires. Of course the three of them know all about Norah being on the street; they comfort me and offer concern. A phase, Annette believes. A breakdown, thinks Sally. Lynn is certain the cause is physiological, glandular, hormonal. They all tell me that I must not take Norah’s dereliction as a sign of my own failure as a mother, and this, though I haven’t acknowledged it before, is a profound and always lurking fear. More than a fear – I believe it.”

I think my extreme boredom with this book must be a sign of my failure as a woman. What do you think, should I keep trudging through the hormonal mire or just run for the hills?

Breezeblock Notes (Cannibal Ox/Medaphoar)

Reasons not to be disappointed when one tunes into this week’s Breezeblock expecting DJ/Rupture, doesn’t get him after all, and must instead listen to what the good people at Radio One have come up with instead:

  • The Cannibal Ox reunion gig
  • Medaphoar live in session
  • Cursor Miner – Carnivore, and ScanOne – Yes Yes, 2 tracks from The Four Guardians EP (Combat Records), which basically sounds like it’ll be shit-hot.
  • Dijf Sanders – Neglected Pleasures

How many ways do I love the BBC? How many ways do you?

Accurate Acronyming

Paste read an article in the Independent about the increasing number of women seeking breast enlargements. The article quoted a representative of the British Association of Aesthetic Plastic Surgeons – or if you’re in a hurry, BAAPS.