Evil Twins

Back home after lindy-hopping, we were watching the tape of Singapore Idol which my father recorded for me. Douglas Oliveiro was giving his comments on someone.

My mum: That’s Douglas O, he’s a local rock singer.
Alec: He looks like Colonel Gaddafi.

After a short WTF??!! silence from the rest of us, we realized how right he actually was.

(Off to Sibu tomorrow. Back on Sunday. So happy.)

Michelle Gone To Heaven

Music For Robots (which I really must add to my sidebar, because it has given me more great songs in the past few weeks than some other mp3 blogs have in their lifetimes) alerted me to this trippy version of Monkey Gone To Heaven, done by The Artist Currently Known As Frank Black Francis.

I should probably be able to form an opinion on how this version compares to the original, but I’m just too busy smiling and burbling and swaying rhythmically back and forth with my head rolling around on my neck like Stevie Wonder to put together anything coherent.

I do miss the “Then GAAAAWWWD is seven!” screeches in the Pixies version though.

And If I Stared Too Long, I’d Probably Break Down And Cry-yi

If you thought my last post was contrarian, get a load of this one: via Daryl, I discovered that Axl Rose has had awful plastic surgery, and I am DEVASTATED.

There is a little less hotness in my world now. I need to see if I can find the videos for November Rain and Patience on bittorrent, just to relive old times.

On a related note, one of my recent guilty pleasure blog reads is Fugging It Up, which is like the “Don’ts” photopage in girly magazines, except with much more miaow.

Excerpts: Living To Tell The Tale (Gabriel Garcia Marquez)

Interest in national politics was rather thin at school. In my grandparents’ house I had heard it said too often that the only difference between the two parties after the War of a Thousand Days was that the Liberals went to five o’clock Mass so that no one would see them and the Conservatives went to Mass at eight so that people would believe they were believers.

* * *

At that time Bogota was a remote, lugubrious city where an insomniac rain had been falling since the beginning of the sixteenth century. I noticed that on the street there were too many hurrying men, dressed like me when I arrived, in black wool and bowler hats. On the other hand, not a single consolatory woman could be seen, for they, like priests in cassocks and soldiers in uniform, were not permitted to enter the gloomy cafes in the business district. In the streetcars and public urinals there was a melancholy sign: “If you don’t fear God, fear syphilis.”

Herbal Viagra For The Clubber’s Soul

If you haven’t heard of Pojmasta yet, bow down and worship anyway, because he’s in my DJ pantheon and this is my blog. Not content with rocking my subwoofer with his mixes of Toxic (glitchtastic!) and Milkshake (disco!) and Lucky Star (as uncategorizable as the original!), his recent 30 minute Scummer Mix is masterful and creative and groovy as fuck.

AND HE’S PLAYING AT HERBAL ON 8 OCTOBER.

Meanwhile, over here Zouk is on some sort of “Most Boring Fabric DJs Ever” trip with James Lavelle and Lee Burridge, the Heineken Green Room Sessions are continuing straight and unerringly down the middle of the road with Thievery Corporation, and from what I’ve heard so far the big hip-hop DJ at Zouk Out this year is Jazzy Jeff, who is good but I’ve already seen him twice.

No one can deny that a decent stream of big-name DJs come to Singapore, and if time and money permit I’m perfectly happy to go see them. It’s just that I feel that where the sort of clubbing music that fascinates me is concerned, London is charging ahead and I’m stuck here doggedly trying to get enthused about the famous but bland, imagining Russ doing his “bored dance”. (Props to Andrew Chow though. Phuture is my little oasis of joy when he spins.)

So, has this been yet another rant about missing London? Mostly, but not totally. There are a few things that help me cope with not being in London, and one of them will soon be here. Normally I’d be gnashing my teeth about not being able to see Pojmasta at Herbal on 8 October, but given that I will be lying on Sibu beach with Alec on that day, I wouldn’t be anywhere else for the world.

Excerpts: The Quiet American (Graham Greene)

I was briefly distracted from my ongoing affair with Graham Greene by other books, but I’m firmly back in the arms of my lover now with The Quiet American.

I always feel somewhat unworthy of commenting on Graham Greene’s books, because it is so blindingly obvious that he knows more than me, thinks more deeply than me and writes with an elegance and economy of words which no commentary of mine could ever have.

So all I will give you is a resounding recommendation, and three very short excerpts which don’t do justice to the book at all, but which can at least be quoted here out of context and still understood. They’re all observations by Fowler, the English journalist. He’s the detached world-weary cynic, and Pyle (referred to in the first excerpt) is the idealistic self-absorbed “quiet American” dipshit who fully deserves to have started off the book by being dead.

* * *

“Dear Thomas,” he wrote, “I can’t begin to tell you how swell you were the other night. I can tell you my heart was in my mouth when I walked into that room to find you.” (Where had it been on the long boat-ride down the river?) “There are not many men who would have taken the whole thing so calmly. You were great, and I don’t feel half as mean as I did, now that I’ve told you.” (Was he the only one that mattered? I wondered angrily, and yet I knew that he didn’t intend it that way. To him the whole affair would be happier as soon as he didn’t feel mean – I would be happier, Phuong would be happier, the whole world would be happier, even the Economic Attaché and the Minister. Spring had come to Indo-China now that Pyle was mean no longer.)

* * *

“It takes a long time before we cease to feel proud of being wanted. Though God knows why we should feel it, when we look around and see who is wanted too.”

* * *

“Who’s Joe?”
“You know him. The Economic Attaché.”
“Oh, of course, Joe.”

He was a man one always forgot. To this day I cannot describe him, except his fatness and his powdered clean-shaven cheeks and his big laugh; all his identity escapes me – except that he was called Joe. There are some men whose names are always shortened.

With Fans Like This Who Needs Critics?

Selected quotes from a great thread at I Love Music: “Honestly criticize your favourite bands/artists”

  • Neil Young thinks the answer to everything is dippy environmentalism. Save the planet. Be the rain. Preserve natural beauty, oh Mother Earth.
  • Kool Keith has never been able to repeat anything as brilliant as Dr. Octagon because he’s become obsessed with booty (In reply to this, someone posted “And I suppose that’s a criticism?”)
  • Cezanne snored.
  • hey scott walker! sometimes, when you make music, its fun to release it!
  • Aesop Rock often has no idea what the fuck he’s talking about
  • there are no good jay-z albums.
  • Xiu Xiu — … nah, too easy.
  • Tom Waits should play more gigs. Who is he, the queen of Sheba?
  • Ohh, and in a lot of Bob Dylan songs, it sounds like he goes “Oh yeah, I’m Bob Dylan!” and then plays some harmonica.
  • Iggy Pop should wear at least one layer of upper body clothing at all times.
  • prince: sometimes funk is NOT its own reward.
  • The thematic range of Trina’s lyrics is a lot narrower than her butt.
  • R. Kelly is probably guilty.

[My contribution: “Kim Gordon sounds like when a homeless person comes onto public transport rambling to herself, and everyone else averts their eyes and hopes she doesn’t sit down next to them.” And then I put Sonic Nurse on and within the first 10 seconds of Pattern Recognition (track 1) I was sorry for what I’d said.]

[I have been meaning to get off my lazy music-writing arse and GO WILD about Sonic Nurse here for a very long time now, but every time I put the album on and try to write about it as I listen, its awesomeness takes over and qij;onvau su/ojcfaeuo aow93nksn;ru…]

Gil Shaham: Tchaikovsky/Butterfly Lovers Violin Concertos (Esplanade Concert Hall)

My God. I don’t care what sort of music you like, I dare anyone to suggest a better place (in Singapore) to have been earlier tonight than the Esplanade concert hall listening to Gil Shaham’s Stradivarius sing.

I have a tendency to drift off during classical music performances (including my own, back in the day) but tonight I was transfixed. I have never heard such wonderful sound while sitting in such cheap seats. I have never heard the Singapore Symphony Orchestra sound so good. I have never seen anyone play two violin concertos (Butterfly Lovers, and the Tchaikovsky) in the same concert, or any performance as virtuosic as this was. I’ve never even been in the same concert hall as a Stradivarius, which is a fucking cool first all by itself.

I want to write more, but I honestly can’t describe how amazing it always feels to hear notes I have loved for years, mostly on old Naxos recordings, suddenly reborn in the expanse of this beautiful concert hall, in the capable hands of a master performer.

Over the past year, the Esplanade music venues have basically become my favourite places in Singapore, period. Every event I have attended has delivered top quality music for an affordable price, and more importantly if you know me, every event I have attended has been two or three hours where Singapore is beautiful and I love Singapore. Then, of course, I get horned unnecessarily by some twat while driving out of the Esplanade car park, and I hate this place again. But then I go home and my kitten comes running out mewing and overwhelming my ankles with fuzzy friction until I pick it up. And Alec will be here in a month. And everything is okay and will be okay.

Excerpts: Last Exit To Brooklyn (Hubert Selby Jr)

Last Exit To Brooklyn can be quite tough going, partly because of the style in which it is written, and partly because its subject matter is extremely harrowing at times. The abiding impression I have of this book is not of obscenity at all (it got banned in England in the 60s for this), but of rather profound sadness. Its characters are larger than life on the outside, and emotional cripples on the inside, though nowhere as cliched as my description makes them sound. It’s like Rent, except without singing or happy endings or seasons of love or la vie Boheme.

The first of the two excerpts below isn’t actually from the book itself, but from the introduction written by its publishers, describing the litigation surrounding the banning of the book in 60s England. The second is from one of the stories in the book. A bunch of drag queens are entertaining some guys they hope to hook up with, and everyone’s high on benzedrine.

* * *

(From the Introduction, September 1968)

The first prosecution witness was Professor Catlin, an elderly sociologist, who was admitted exceptionally between two defence witnesses as he had to return to America. Catlin insisted on talking through Mr Neill, proclaiming among other things that ‘if this book is not obscene then no book is obscene’. While admitting that what happened in the book happened in life, he announced that he did not object to it in life but he did object to it in literature. The other prosecution witnesses were David Holloway (critic), Sir Basil Blackwell (bookseller and publisher), H. Montgomery Hyde (writer), Dr Dennis Leigh (psychiatrist) and the Rev. David Sheppard (priest and social worker). Sir Basil claimed that the book had depraved him, but it transpired that he had only read it because he had been asked to appear as a witness for the prosecution. The most telling of the prosecution witnesses was the last, the Rev. David Sheppard, who emerged as a naive and well-meaning man, sympathetic to the jury. He said he felt the book pandered to all that was worst in him, and had left him ‘not unscathed’. He was not cross-examined as to what he meant by this, but the assumption is that he found the book erotically stimulating.

* * *

(From the story The Queen Is Dead)

Tony kept leaning forward more and more, listening, laughing, making certain that each one was aware that she was listening to their story and enjoying it; trying to think of some little anecdote she could tell, some funny little thing that had happened or she had seen…or even something in a movie…she refilled her glass with gin, smiling at Goldie; nodded, smiled, laughed, still trying to think of something funny, even slightly humorous, thumbing through years of memories and finding nothing – Well how about leslie? – O!!! that filthy thing – she goes through Central Park about 5 in the morning looking for used condums and sucks them. Holy Krist. Well I have a john who makes me throw golfballs – we had a kid upstate who stuck a life magazine up his ass and couldnt get it out. The – O I love the ones who almost cry when they are finished and start telling you about how much they love their wife and kiddies. And when they take out the pic – O I hate those freaks – Hey, how about that guy the Spook met in the Village that night who gaveim 10 bucks for his left shoe. The Spook toldim he could havem both for 10 bucks and his socks too – Goldie kept looking at Malfie and the way his hair waved back into a thick DA; and Georgette leaned closer to Vinnie and everyone seemed so close, as if they belonged to and with each other and everything was wonderful – Did Francene ever tell you about that Arab she met one night? Well honey, he just fucked her until she thought she would turn insideout. O, that must have been divine. – Camille looked nervously at Sal – It is so refreshing to meet a man who will give you a good fucking. Yes honey, but she almost had to have a hysterectomy.

For The Pleasure Of Seeing Her Again (Victoria Theatre, Singapore)

I’d been meaning to go watch a Wild Rice Theatre production for ages, but stuff like Masters exams, extreme stress, lack of money, and not being in the country kept getting in the way. After watching For The Pleasure Of Seeing Her Again last night, I now realize those were all lousy excuses.

In a world full of tributes to mothers, this one still touched me to the core. Neo Swee Lin was made for her role, and is unsurprisingly magnificent in it. To say too much about the ending would ruin it for you, but it is beautiful and hilarious and absolutely perfect for the play.

It has been a very long time since a piece of theatre grabbed me by the scruff of the neck and reminded me that despite the very best that cinema has to offer, despite theatre ticket prices many times more expensive than movie tickets (even including popcorn), there are still some ideas only theatre can convey, and some stories only theatre can tell. This was one of them. If you are in Singapore, you have till Sunday the 29th to see it, and you really really must.