Art Of The Mix

On Alec’s previous visits here, failing to take him to a performance at the Esplanade was my most glaring omission out of many, but I finally remedied that on Friday. The SSO was doing Beethoven’s 6th, Schubert’s 2nd, and Mendelssohn’s Fingal’s Cave from The Hebrides, and for the princely sum of $21.75 (that’s total, not each), we enjoyed sound so divine from the third circle that even a sub-par SSO sounded great.

[I don’t mean the SSO is generally a sub-par orchestra, I just mean they weren’t really on fire on Friday. There were little timing hiccups here and there; perhaps they didn’t gel with the guest conductor as well as they normally do with Lan Shui. Some harshness in the violins, and I think there was one clarinet screwup. Also the Allegro ma non troppo which starts the Beethoven felt a little too non troppo for my liking, but perhaps I was just too impatient to get to the rollicking third movement.]

My Esplanade bliss is nothing new, but being able to share the place that makes me happiest in Singapore with the person who makes me happiest in Singapore was rather lovely.

* * *

Chinese New Year reunion dinner on Sunday at Chef Kang’s Canton Wok confirmed the fact that not only my mother but my entire extended family seems determined to make my boyfriend fat by forcing multiple servings of everything on him.

I’m not convinced that Canton Wok is “the best cze char in Singapore” as the newspaper articles claim, because I don’t think I saw it at its best on Sunday night. I didn’t have a problem with the ambience – eating on a cramped walkway in the depths of a Hougang HDB estate (a public housing estate) is fine by me – but the service was pretty poor. We waited for more than half an hour to be seated despite having made a reservation far in advance. When the first dish arrived we had plates but no chopsticks or spoons to eat with, cue exaggerated pawing motions at red wine chicken until the staff got the hint. Neither moist towelettes nor lemon water accompanied the crab, so anyone who wanted the rest of their meal to be non-sticky had to venture inside in search of a rather grotty basin.

Food-wise, some dishes were great (red wine chicken, crab with glutinous rice, coffee pork ribs, abalone and spinach), and others were pleasant but forgettable (steamed motherfucking big cod, those brown noodles which I think are called yu fu noodles). I’d like to go back there again to try dishes which were featured in the food reviews and looked really interesting, but weren’t on the festive set menu. But anyway, Alec wasn’t complaining. His mouth was too full.

* * *

And now Saturday. Toxic Jungle Saturday.

The party started off quite normal. True, the birthday boy had chosen to interpret the theme (The Beast Within) by wearing a snake in his crotch, but apart from that everything was fairly civilized.

Jacob and his snake
Jacob’s trouser snake

I hadn’t bothered to tell people other than East-dwellers about the party, but was pleasantly surprised when Kelly and Patrick decided it sounded like an interesting change from Zouk and came along. Karen, who I’d never met, turned up too, en route to Thumper with Ken. Then Ida and David. Then Mayee and Shao and Hwee Yee and Evan.

Since I’ve never been much of a “Circulate, darling!” type, this would have been more than enough people to keep me happily and drunkenly and uneventfully chatting the night away. But Jacob had other plans. Soon after twelve he unveiled karaoke hour, as well as the girls he’d hired to be back-up dancers for the karaokers.

I think the plan had been for karaokers to stand on the small stage in the middle of the bar while singing their songs, and for the girls to then do their thang around the singer. Unfortunately, a problem soon emerged – people were singing soppy ballads instead of songs conducive to girls shaking boo-tay in knee-high stiletto boots. I was equally complicit in this bloody waste, having put my name down earlier for Nothing Compares To You. The girls managed some lesbian slow-dance action to this, but it still wasn’t playing to their real strengths, and I felt guilty.

So when Jacob came round again saying they needed more songs to finish up the karaoke hour, I decided to revisit Toxic. I had expected to sing the song comfortably from my seat, while watching the girls shake boo-tay on stage. But the girls had other plans, and I didn’t feel like forcefully resisting two girls wearing little more than knee-high stiletto boots and little strips of cloth covering their naughty bits. Who knows what may have given way in the course of a struggle.


Forgive me, Britney, for I have sinned

I certainly don’t think of myself as an exhibitionist (at least insofar as anyone who keeps a blog can be said to not be an exhibitionist), but I like to be a good sport. Frankly I’d do it again. The girls were great.

The party went on for a couple of hours more after that. I had fun comparing childhood objects of lust with Mayee and Shao. Got beaten at pool by Alec, fuck! Continued on to Jacob’s place after the bar closed for a prata and champagne supper. Then finally staggered home.

I like weekends.

My First Meme

I’ve taken a while to grasp Mayee’s baton, but never let it be said that I would turn down a rod when extended.

1. What’s the total size of music files on your computer?
11.75 GB. I try to keep things under control through a tedious and unbelievably anal routine of tagging, compiling, burning, tracklist printing, and finally cramming (into grievously overcrowded CD shelves). Please don’t ask me for the number of songs, the files are already kept in three different places on the hard drive and I had to do some mental arithmetic just to get that first figure.

2. What is the last cd you bought?
Minesweeper Suite (DJ /Rupture), but it hasn’t arrived in the mail yet.

3. What is the last song you listened to before you read this post?
Whaddit I Done (Animal Collective), which ended conveniently in time for Alec to get to sleep. I don’t think it’s very easy to sleep to Animal Collective, unless of course you’re one of the people I saw them with in April 2004 (they were opening for Múm), who whispered “This is awful!” within the first five minutes of their set and promptly fell asleep. His loss.

4. Name four songs that you listen to a lot or that mean a lot to you.
I only get four? You might as well ask Mozart to pick four notes, the Pope to pick four Amens, and Bai Ling to pick four fucks. This is oppressive. But here’s a list, if you insist. (I write my own rhymes, yo.) It’ll probably be completely different if you ask me tomorrow, except for the first song.

  • ‘Cross The Breeze (Sonic Youth): Daydream Nation, and this song in particular, rewired my fourteen-year-old brain. I never listened to music the same way again.
  • Twice The First Time (Saul Williams): I was eighteen or thereabouts. Music downloading was just beginning to take off, but obscure stuff was still hard to find (online, let alone in Singapore). Out of almost everything I was looking for, this was the only song I actually managed to find and download, and for a while it was one of a very few mp3s on my computer. I listened to it obsessively, freaked out when I lost it in a hard disk crash, and was eventually joyfully reunited with it when Jeremy gave me Xen Cuts. (A recentish post where I show it some love.)
  • Complicated (Ben Gibbard’s cover): Because it’s hilarious.
  • Harder, Better, Faster, Stronger (Daft Punk): Because it’s perfect.

5. Which three people are you passing the baton on to and why?

  • Benny: Because it’ll force him to update his frickin’ blog.
  • Don: Because he’s just started a blog, and I’d like you all to go read it. And because he not only makes music but is brave enough to play it to a bitch snob like me.
  • Laces: Because his answers would probably involve music I’m clueless about. Hurray!

Inaugural Syntaxfree Book Giveaway!

“At work Veronique made a point of not mentioning that she had killed Princess Diana at the weekend. She had practised not mentioning it as she took César for his morning walk, and all the way to the office – on the street and in the Métro. She decided that the best strategy would be to not say anything at all, in a case a confession were to slip out by mistake, like the time she had meant to discreetly clear her throat in a restaurant and ended up coughing an oyster into the middle of the cheese board.”
The Little White Car, Danuta de Rhodes

After his third book Timoleon Vieta Come Home a few years ago, one of my favourite authors declared that he would never write another. I was unsurprisingly rather dismayed, but hoped that some miraculous change of heart might come some day.

As things turned out, I ended up getting a rather more miraculous change than I had hoped for. For even though Dan Rhodes has not published anything since Timoleon Vieta Come Home, a few months ago I came to hear about a new literary voice fast gaining attention for her debut work, The Little White Car. Her name was Danuta de Rhodes. She was apparently 24, French and female.

Highly amused, I emailed Dan to assure him that despite my conservative Catholic upbringing I would not be renouncing my fanhood, and would gladly support the creative efforts of himself and indeed all other transgendered individuals. I also mentioned, in passing, that I hadn’t actually read the new book yet as it was only available in hardcover in Singapore, and as a poor student I would have to wait for the paperback.

A few weeks ago, a package arrived. The Little White Car was in it. Inside was written:
“Pour Michelle,
Avec beaucoup d’amour,
Danuta”

I devoured it over that weekend. I loved it as much as I’ve loved all Dan’s other books, and at least this one didn’t make me feel like bursting into tears in the middle of a crowded train carriage. Also, there is really nothing cooler than reading a book containing an extended passage where the protagonist confesses her secret shameful love for The Roxette Collection: Don’t Bore Us – Get To The Chorus!, where the author of said book has previously made your mutual secret shameful love for said band public by blasting Fading Like A Flower at his book launch party in order to find you, because you’ve never met in real life before.

And so I decided that the time had come for the INAUGURAL SYNTAXFREE BOOK GIVEAWAY!

Here’s how it works:

  • Me, a grateful recipient of a gift from an author I love.
  • You, a resident of a country with a reliable online bookstore presence (Singapore, UK, US are all fine, but you’ll have to suggest a store to me if you live somewhere else), so that I don’t have to pay Amazon an obscene amount to ship the book to Easter Island.
  • Most of my friends no doubt already have a long list of reasons they wish they’d never met me, but here’s another: to participate in this giveaway, you have to be someone I’ve never met. Simply because I like the idea of buying a book for someone I don’t know in real life. Also, it’s pretty easy to buy books for my friends if I want to, but if I shove books into the hands of random strangers on the MRT they will probably think I’m an opposition politician and call the police. You don’t have to be a total stranger to me – if we’ve emailed before, or exchanged comments on a blog, that’s still fine. As long as we’ve never met in real life.
  • So if you qualify, post a comment (or email syntaxfree dot gmail dot com if you’d prefer) and make me smile. It’s pretty easy to make me smile, especially during the work week. Two of the best ways are to either kiss my ass or tell me an excruciatingly bad joke, but I’ll be happy with any effort which goes beyond “Pls give me the bk, k thx bye.”
  • If you elicit the toothiest smile from me, I’ll write back to you and ask where to send your book.
  • Deadline: Monday 7 February 2005.

Faustian Pecs

Manhunt (Tuesdays 10 pm on Starworld) is America’s Next Top Model’s poor transgendered cousin. The first episode featured the guys skydiving in Calvins, because apparently this would test their ability to work as a team. It’s poorly produced, features a crop of guys with even less personality than your usual wannabe fameseeker, and gimmicks that have passed through the colon of every other reality show. The token “male supermodel” judge is pure vanilla next to Tyra Banks, who at least held a strange “How much more gaunt and ugly can this woman get over the course of the season?” fascination for me. Also, it’s hosted by Carmen Electra, who brings her own special brand of brainlessness and appalling incompetence to the show.

Needless to say, I’m planning to watch it every week.

Watching with my mum makes it even more of a head-trip. For example, this is from last night, when Ron got eliminated.
My mum: Pity, he has an interesting look.
Me: Yah, he does.
My mum: He looks like Mephistopheles.
Me: ???!!

Excerpts: Fugitive Pieces (Anne Michaels)

I finished Fugitive Pieces before the tsunami took over 250000 lives, but I’ve only managed to get round to typing out my bookmarked passages today. Reading some of them again in the wake of a natural disaster that literally changed how our world turns, I haven’t been able to help reading them in a slightly different light, with new victims on my mind rather than the old.

It is facile to liken a tsunami to the Holocaust, but thankfully that won’t be necessary. This book is much less about whys, and more about what nows, and in that sense at least, the agony of the survivor is universal. Michaels explores this beautifully for the first two thirds or so of the book, but doesn’t manage to sustain it once protagonist Jakob Beer dies and a new character abruptly takes over the narrative. Ben feels like an unnecessary coda to what would have been a complete and admirably compact work on its own, and the reader doesn’t really get enough time or incentive to care very much about him.

Despite its acclaim, Anne Michaels’ writing doesn’t always hit the mark for me – I find some of her pseudo-poetic abstractions a little overindulgent and frankly rather meaningless – but when it does, it is profoundly evocative.
Read More “Excerpts: Fugitive Pieces (Anne Michaels)”

You Know I Got Soul

Mid-week clubbing bad for body. But good for soul.

DJ Krush exactly as expected. Successful evocation of nostalgia for first year uni bedroom. Unsuccessful motivation of ass. Spent most of time drinking alcohol I didn’t pay for. Felt like member of rap star’s entourage. Ghetto!

Original plan to leave at 2. But then Laces turns up. Transfer to Phuture. Phuture motivates ass. Take side trip to Zouk to get space and laugh at Mambo kids. Mambo kids disappointingly uncoordinated. Return to Phuture. End up leaving at 3 am.

At work now. Exhausted, but thank God not hungover. Still intent on lindy-hopping tonight.

And Alec arrives tomorrow! Rock!

2004 List: 9 Songs To Thank MP3 Blogs For

9 great songs I’d never have heard and wouldn’t currently be trying to purchase, if some of my favourite mp3 blogs hadn’t committed copyright violations for the love of music: (Links are to corresponding entries at the relevant hosting blog where possible. The songs probably can’t be downloaded there any more, but I’m sure you can find them elsewhere if you’re resourceful enough.)

  • The Bug Speaks (The Song Corporation) (from said the gramophone)
    The best pop song about totalitarianism, ever. “The nobility of suffering was foremost in my mind / When I said that I feel that sacrifice has been too much maligned / I have a great respect for those who suffered for their race / And my policy will be that lots of suffering take place.”
  • lugu lugu kan-ibi (Bunun Tribe / David Darling) (from said the gramophone)
    A beautiful Taiwanese tribal song, accompanied by cello.
  • Freaks (Lil Vicious featuring Doug E.Fresh) (from gabba/POD)
    Human beatboxing as dancehall riddim!
  • What You Waiting For (Jacques Lu Cont remix) (from Laces)
    I barely noticed the original despite its media saturation, but Lu Cont’s divinely exuberant synthy version totally brings out the fag hag in me.
  • Rok One’s Crazy (Rok One) (from Laces)
    I bet you thought Vanilla Ice spoiled that Under Pressure sample for all rappers forevermore, but Rok One does a new tongue-in-cheek take on things.
  • Ghost White Flowers (The Tease) (from Fluxblog)
    It’s like Idioteque, except it isn’t like it at all.
  • The Trumpet (George Atkins and Hank Levine) (from Fluxblog)
    If you haven’t already heard this, I guarantee you’ve never heard a song like it. JFK giving a speech about tyranny and poverty becomes the leader of a pop band on helium.
  • In The Belly (Other Passengers) (from Music For Robots)
    I’m a sucker for drama and distortion. Think Mogwai with vocals by Interpol.
  • Avminnast (Nils Økland) (from Music For Robots)
    Austere Norwegian fiddle music, a soundtrack to movies of ice and snow that don’t exist except in my imagination.

2004 List: Top 5 Singles Of Shamelessness

Top 5 mainstream pop singles which should only have been guilty pleasures for a snob like me but which I actually shamelessly adore:

  1. She Will Be Loved (Maroon 5): It’s just sho shweet! My pop ballad of the year, because there always is one which I love despite my hopes of better judgment. (If I’d made a list last year, you can bet Daniel Bedingfield’s If You’re Not The One would have been on it.)

  2. Somebody Told Me (The Killers): I’m sure this band is the new big thing among people who think they’re hip but really aren’t, and the album has received lukewarm reviews from sources I trust, but this single reached out and grabbed me when the more highly regarded efforts of Franz Ferdinand, Scissor Sisters etc. did not. There is a mythical status attached to the Album As Art Form, but sometimes all you need to make someone’s day is a catchy song.

  3. Fuck It (Eamon): When I first heard this song on the Internet several months before it was released as a single, I never thought it would ever get played on the radio. I also find the radio version bizarrely amusing; what with all the censorship it almost sounds like it’s been remixed by Aphex Twin. Despite the obvious novelty value of the song, it does appeal to me beyond the “Dude, he’s saying fuck a lot! Huh-huh-huh-huh-huh” sense. I really like the melody, and when Eamon’s voice quavers upwards on the last “ba-a-ack” of the chorus? Little heart flutter.

  4. Numb (Linkin Park): Unlike Limp Bizkit and all the other nu-metal whatevers, there are actually no Linkin Park singles I actively dislike. I’m fairly indifferent to most of them, but at least I never feel the need to change the channel in disgust when they come on. There’s a chimey, dramatic bombast to this one which I really enjoy when it kicks in at the beginning of the song. The lyrics are same-old same-old, of course, as is the accompanying video – there’s this girl! She has dark hair and wears black and draws! The cool kids shun her ‘cos she’s different! But all she wants is to be “more like [her] and less like [them]!” So she runs into a church inexplicably! – but that’s all part of the fun.

  5. Toxic (Britney): So far, my top pop single of the 21st century. Britney has very little to do with what is great about this song, although she is central to the greatness of the video. Mad props go to producers Bloodshy and Avant for this masterpiece, which is, amazingly, only one among many other sublime pop joys which Scandinavia has given the world this year. (The others will feature in another list if I get around to making it.) Maybe it’s something in their water.

And Then There Were Nine

The music lists still aren’t going well, and it’s really not helping that Music Junction at Parkway Parade is having a 3 for $10 sale which actually features decent albums. So I bought 9.

  • Bjork: Vespertine
  • Daft Punk: Discovery
  • Ladytron: Light And Magic
  • Mos Def and Talib Kweli: Black Star
  • Bubba Sparxxx: Dark Days, Bright Nights
  • Elvis Costello and Burt Bacharach: Painted From Memory
  • Philip Glass: Songs From The Trilogy
  • The Essential Sibelius (2 CDs)
  • Gabriel Fauré: Requiem / Cantique de Jean Racine / Messe Basse (Arte Nova recording)

Yay. :)

2004 List: Five Films

I’ve been meaning to do year-end lists ever since I started this blog way back in 2000, but never get round to it before because I was busy having, like, fun, at the end of the year. This year, however, I have a job.

First up, my top 5 films, because the music lists are just killing me.

  1. Before Sunset:
    It would have been terrifyingly easy to fall short of what a worthy sequel demanded, but nothing in this movie squandered the promise of the first film, or sidestepped any of the questions that they knew people would want answered. In just 80 masterfully-directed minutes of great scripting, acting, editing and direction, they (Richard Linklater, Ethan Hawke and Julie Delpy) made good film-making look effortless. On a personal level, it amazed me to realize that in the most romantic movie I’ve ever seen, there was nothing in its romance that I envied or did not already have.
    [My review] [Metacritic]
  2. The Return:
    Although one of my pet peeves in a film is sloppy editing, this doesn’t mean I have ADD. I’m perfectly happy to sit through a slow-moving film as long as it makes good use of every moment, and this one really did. Every scene was there for a reason, whether it was starkly beautiful cinematography, or the play of muscles on the face of one of the amazing child actors. I still can’t believe this was Andrei Zvyagintsev’s first film, because it exudes the assurance and maturity of a grizzled veteran at the peak of his powers.
    [My review] [Metacritic]
  3. Eternal Sunshine Of The Spotless Mind:
    I’m not the biggest Charlie Kaufman fan around but the premise of this film struck a huge chord with me, and Michel Gondry, Ellen Kuras (his cinematographer) and Jon Brion (who always makes lovely music) executed it with some of the most stunningly original film sequences I’ve ever seen. I can’t actually write much more about this film. It’s too indescribable.
    [Metacritic]
  4. Shaun Of The Dead:
    Not a film for people who don’t get British comedy, but it’s side-splittingly funny if you do. After the first ten minutes I gave up keeping track of all the great lines, all the little digs at London life and English society, and all the hilarious subversions of the usual zombie movie scenes. Also, best use of “Whassup niggaz?”, a repeated fart joke (and bear in mind that I normally hate fart jokes), and a Queen song (all used separately) in a film ever. Why oh why did I not watch more of Spaced when I was still in England?
    [Metacritic]
  5. Big Fish:
    I never thought Tim Burton would have made my happy feelgood heartwarming tearjerker of the year, but there you go. Of course, being a Tim Burton film it still had evil trees and grotesquely deformed people in it, and was all the better for that. Wonderful acting from Albert Finney and Jessica Lange (loved the bathtub scene), and an ending so perfect it nearly made me cry, which doesn’t usually happen to me in movies unless they remind me of London.
    [Metacritic]