Each week, The Image, Deconstructed features a striking photo (usually, though not always, of a photojournalistic nature) and discusses the creation of that photo with the photographer who took it. I find the discussions interesting not just for the glimpse they give me into the world of photojournalism, but also for the detailed descriptions of what goes into working the scene and the examples of the less successful photos which get taken along the way to the killer shot. I have to admit, there’s nothing I find quite so encouraging as the visual proof that even fantastic photographers take shitty photos.
Here are the “deconstructions” of a few images I found particularly striking:
- Alex Boerner’s beautiful depiction of a 101-year-old former painter, now bedridden, among her paintings.
- Rich Joseph-Facun’s impeccably-composed photo of pilgrims at the Ganges River.
- James Chance’s work at Manila’s North Cemetery (home to a living community of 2000 people) yields more than 1 striking photo. Although the headline photo is certainly dramatic, I prefer the surreality of the photo just after that.
- Paulo Siqueira’s capture of a tender moment shared through the veil between an Egyptian woman and her baby is sweet, and the story of how he obtained access to meet and photograph this very conservative Muslim woman is interesting as well.