Archive for July, 2005

Crossing The Rubicum

After Alec got a haircut yesterday, he tried to make his way from Circular Road to the Ritz-Carlton to attend a wedding. Due to National Day Parade rehearsals in the vicinity, various roads were closed and crowds were packed solid outside the parade areas waiting to see the fireworks. Usual routes to the Ritz-Carlton had hence been rendered impassable, but in a situation where a lesser man would have given up and resigned himself to his fate, my boyfriend stood strong and forged a creative MacGyveresque solution.

Either that or the following text-message I received from him, explaining why he wasn’t at the hotel yet, was rather hastily typed: “Have to take a cumboat to cross the river”

[Non-Singaporeans might find this contextual link useful.]

[I verily believe this is the worst-titled entry ever on this blog! Any contrary views?]

Of Indie Nights And Missing Willies

Much gratitude to Terence for telling me about Friday’s indie night at Cafe Cosmo - I usually take an arrogant pride in never relying on anyone else to tell me about cool events/albums/books/anythings, but I’d have been clueless about this if not for him. The cafe itself is a lovely place; upon first walking in it reminded me of Hideout, but after further exploration revealed model planes hanging from the ceiling, shelves of toy collections on the walls, and indie CDs for sale (apparently the cafe are sole distributors here for labels like Hydrogen Dukebox and Kranky?!), it became clear to me that there was no longer any point comparing them.

I feel a little guilty every time I subject Alec to indie nights, because conversations between people who’ve spent a decade or more obsessed with music are obviously not very interesting for people who haven’t. This time, however, Dominique was also there, and in the same boat as him. They seem to have got along well. I returned from a nice chat with Daren to be informed that they’d “lost Willy”. Apparently, Willy had been in Alec’s pocket right before they went to the bar to buy drinks, but what with Willy being “a bit small”, Alec couldn’t find him in his pants any more.

“Willy”, for anyone wondering, was a “Willy Weeder” card in the Happy Families card pack they’d been playing with. Sorry, Cafe Cosmo!

Braindump

Apologies to those hoping for more substantial content, this will just be a desperate catch-up list of quick notes on blogworthy things that I never found time to write properly about but don’t want to forget.

Books:

  • Dress Your Family In Corduroy And Denim (David Sedaris): Funnier, sadder, and generally more engaging than Barrel Fever.
  • A Burnt-Out Case (Graham Greene): Greene never disappoints. I don’t think this is an especially famous novel of his, but it is no less perceptive or original than any of his best. It also feels very elegantly structured - not usually something this O’level literature student is able to spot in a novel, but which seemed particularly outstanding in this one.
  • Maus: My Father Bleeds History (Art Spiegelman): Just Book I, I’ll read Book II as soon as the other borrowers in the library let me, and am aware that whatever commentary I attempt here is necessarily incomplete. Not sure if my feeling about the book is shared by others, but it seems to me that although it is ostensibly a fairly straightforward Holocaust story, the true heart of this book lies not in the story itself, but the fact and manner of its telling - by a protagonist to an author, from human speech into stylized illustration, and above all, by a father to a son.

Films:

  • The Hitchhiker’s Guide To The Galaxy: Sorry for the blasphemy, but as someone who last read the books when I was 12, and therefore has no specific memory of them beyond an abstract aura of wittiness and a couple of ubiquitous email taglines, I found this thoroughly enjoyable.
  • Sideways: We didn’t rush to watch it in the cinema because it seemed like the sort of movie you could enjoy just as well on DVD, and it is. Despite its incredible acclaim I’m really struggling to come up with anything strongly positive to say about it. It felt like a slow car ride through pleasant but unremarkable countryside inhabited by people you care very little about. You don’t object to the journey, but you’d just as happily never take it again. Case in point: I can’t fault Paul Giamatti’s acting here, but despite playing a character far more likable than in his previous “loser” outing, something about American Splendor made me root for Harvey Pekar, and something about Sideways made me stop caring about Miles.
  • Downfall: The best film I have seen so far this year, and one of the top five of my life. Can you even imagine a similar film being made in Japan? [Very tangentially, the broader political/societal culture which gives fruition to films (among other manifestations) like this is one reason I think Germany is a great nation, and its disappointing contrast in Japan is one reason I have never been able to admire or embrace Japanese culture the way many of my peers seem to do.]

Events:

  • Poetic Licence: I love poetry on paper, but poetry readings much less, so I have to admit the only reason I went to this was that Yish had free tickets. Well, shame on me for my rock-bottom expectations, because this was one of the best poetry events I’ve ever been to. The team behind this should be very proud that they took on something quite ambitious - 46 poems to dramatize! - and did a pretty good job for most of them, finding and expressing the latent drama of the poems without compromising the primacy of their words. Yish gave an impromptu performance of Loud Poem to the cast afterwards, which was fun. The only part of the evening I didn’t enjoy was when Eleanor introduced me to Ivan Heng and, tongue-tied and star-struck, I stammered, “Hi…I’m a big fan…” AND NOTHING MORE.
  • Neil Gaiman in Singapore: My boobs came between me and Neil Gaiman on the Monday and Tuesday of his visit to Singapore (I’d had the surgery on Monday), but goddamit I wasn’t going to let them spoil my fun on Wednesday! (Yes, one can define queueing for 5 hours for two signatures as “fun” if the signatures in question are from Neil Gaiman.) By the time I got to the front, Neil was obviously pretty tired, so I didn’t get anything as elaborate as the Coraline rat I got the last time, but at least I got “Sweet dreams” on the last panel of The Sound Of Her Wings and eyes drawn in the skull on Neil’s “goodbye” message (just after the last page of The Wake). I mumbled something stupid about having had surgery two days before, but just having to come see him anyway. He stopped signing my book, and looked up at me. “And you’ve been waiting in this huge queue all this while?” “Um, yeah.” “You really shouldn’t have, but thank you so very much,” as he reached out and squeezed my hand. And just like that, five hours in line paled before thirty seconds of very genuine warmth from a man who, by the end of the night, had signed for a thousand people.

Get A Load Of This!

I have always been upfront on this blog about my penchant for vile humour and my lust for Johnny Depp, and this Yahoo! News headline (via Defective Yeti) symbolizes the proud union of those two fetishes.

All Clear

4 lumps, 4 “no evidence of malignancy” conclusions. In other words, I’m okay. :)

But please, don’t forget the reason I went public with this in the first place.

It is now nearly a year since my first visit to the doctor, and I had known a lump was there for more than a year before that. I have been blessed with a happy ending (as are 99.5% of women under 40), but if I had heard bad news today I would have had to deal with the disease knowing that **I** could have done so much more to protect myself from it but didn’t - and ultimately, that’s what I’ve hoped my story could help to prevent for other young women. Lots more information, for anyone who’s interested, can be found here.

Thanks to everyone, strangers and friends alike, who expressed their concern and support in comments, emails, text messages, conversations, and prayers. I am neither wealthy nor wise, but at the moment it just feels amazing to know I am healthy.

Baybeats 2005: Day Three

As always, afternoon napping foiled my best-laid plans of getting to Baybeats in time for Serenaide, and I arrived only to hear the last 30 seconds of their last song.

The bands that followed - Zhen, The Marilyns and Kate Of Kale - were pretty dull and I started to long for my couch again, so I went to the Garlic Restaurant with emptysignifier in search of a strong pick-me-up.

Fortified and reeking (how awesome is the garlic ice-cream?), we then sallied forth for Death Of Cinema, which I enjoyed lots then and enjoy even more now that I’ve discovered they describe their sound as “post-cock”. Coincidentally, the same article reveals that they share my views on song-naming wankery:

Nick: I wouldn’t say we disregard genres. Rather, we’re very sensitive to the trappings of them, so you’re right about the stereotypes. For example, with the whole down-tempo and triphop thing, there’s just this very pretentious, pseudo-intellectual and extremely dated edge to it. Just look at the cover of any Winter Chill or Hed Kandi ‘chillout’ compilation, or the cover of Groove Armada’s Vertigo. Have you seen anything more dated or stuck?

The same thing is happening to post-rock too. Like what’s with 5-word smarty pants titles as ‘de rigeur’? The reason I mention these genres is that we ourselves are into this music and we can’t escape the influence anyway, so we learn to take what we can and make fun of it, and hopefully we end up less derivative.

For what it’s worth, as someone who’s spent a lot of my music-listening life hoping to sift the derivative from the influenced-but-innovative (and blogging incoherently about it), I don’t think Death Of Cinema sound derivative. Also, I want a “Post-Cock” T-shirt.

Between 8.30-9 we had a choice between watching Electrico and Lunarin. Several hundred people chose Electrico (who seem like nice people doing what they love but I’m not into their music) so I was glad there was plenty of space for Lunarin. I quite liked what I heard, but would like to hear an electric set to get a better feel of their sound.


Room to swing a post-cock in

I’m a bit at a loss for what to write about Concave Scream, except that they just seem to have hit on how to write songs that work as songs and work for their sound as a band. To me they sound melancholic yet uplifting, reminiscent yet timeless, and always larger than the sum of their influences. (God my music writing sucks.) The best gig I saw at Baybeats 2005. I left shortly after, because Copeland were boring me, and I wanted to end the night on a high note.

Baybeats 2005: Day Two

Given that we only had a wedding lunch to attend on Saturday, I’d originally thought we’d make it for the start of day 2 of Baybeats, but I’d forgotten this was Tamara and her family we were talking about, so great company and countless glasses of champagne got considerably in the way. It’s a special sort of joy leaving a wedding party knowing your dear friend is in wonderful hands. Congratulations, Mr and Mrs Pritchard!

* * *

My views of Surreal and Furniture haven’t changed since last year, so let’s leave it at that.

I Am David Sparkle was pleasant enough but didn’t post-rock my socks that much either. The problem well may be mine though, I think I’m the world’s most impatient quietLOUD type post-rock fan. I love walls of bonecrushing sound but get restless in the slow peaceful bits that build up to them. This is why my favourite local band is Astreal, they just skip the foreplay and go right to the orgasm, which then continues for at least five minutes.

Let it not be said that I’m biased against all emo, I actually liked Brandtson quite a lot. They had nice songs with strong melodic hooks, and enough variety of chords and song structures that it didn’t sound like the same nice song repeated 8 times. Also, they do a pretty mean Cry Me A River. Mad strobe lighting during the chorus was a fun dramatic flourish but I wish they’d put a bit more death metal in the guitars.

* * *

At this point I have to mention my main frustration of the night: the stitches in my right boob are freaking cramping my style.

In normal circumstances I’d have left at this point to see Ice T in Zouk, but I was worried about getting pushed around or elbowed in the crowds there. I’d also have liked to go to Subvert’s 2nd birthday, but having to restrain myself from my usual vigorous drum’n'bass dancing would have been too frustrating.

So I stayed at Baybeats for Poptart and Twilight Action Girl’s DJ sets instead, but even within indie pop lies hardship. Witness my measured jumping during the “In LOVE, in FEAR, in HATE, in TEARS” bit of Sit Down, my restrained air guitar during Bullet With Butterfly Wings, and my wimpy gesticulating to Sabotage. Okay, I cracked a little when they played Here Comes Your Man, scampered down to the front and broke into a weird sway-hop-kick dance, but in general it could truly be said that despite all my rage, I was still just a rat in a cage.

* * *

Don’t these tiiiiimes fill your eeeeeeyes?

Baybeats 2005: Day One, Quick Notes

I arrived quite late from dinner and drinks with my former colleagues, so only saw Shamejoannshame and Nakedbreed.

The former was unremarkable instrumental post-rock which seemed to take overlong overdescriptive song-naming inspiration from A Silver Mount Zion. (Exhibit A: Shamejoannshame’s “I Heard You Singing A S Club 7 Song While You Were Super Wasted.” Exhibit B: A Silver Mount Zion’s “Sisters! Brothers! Small Boats Of Fire Are Falling From The Sky!”)

The latter was energetic pop-rock with catchy harmonies and occasional excursions into Joe Satriani guitar territory. Better than many similarly styled bands I’ve heard in Singapore - they deserve to do fairly well and probably will, given the accessibility of their sound.

Incongruous Hair Day

Yesterday I was finally called to the Bar as an Advocate and Solicitor of the Supreme Court of Singapore. I celebrated this momentous occasion by heading almost immediately to the hair salon, to get my hair cut and coloured such that any self-respecting judge would throw me out of his courtroom. (This is possible because I’m only starting work at my scholarship company in September, and it’s not a law firm.)

It was quite amusing when I left the hair salon, walking through Raffles Place in the evening with my ultra-conservative black and white court attire and my new hairdo, which is basically like the chick in Sinfest, plus bright purple streaks.

Rainforest Music Festival 2005, Sarawak

The idea of going to the Rainforest Music Festival was first planted in my head by Joe raving about it, but it took someone with Louise’s energy to gather a group of 12 like-minded people and actually get us to Sarawak to attend it. I won’t be needing any further prompting to make my bookings for next year though.

Sunset on the lake

 

(Click on photos for larger versions.)

THE FESTIVAL:


Tribal statue against surrounding mountains

The Sarawak Cultural Village is that very rare exception to the general rule that cultural villages are tacky. It’s beautifully situated, well-maintained, lovingly curated, and loads of fun.

 

Fay on the swing
Yes, the blurring is deliberate

We clambered up narrow bridges and staircases to longhouses elevated nearly three storeys in the air by stilts (no photographs could do them justice), cheered Fay on as she threw herself down from a height clinging on to a ring of bamboo (a traditional swing), and had a brief but precious ad hoc performance from one of the few remaining players of the Sarawak nose-flute.

 


Fish-traps to light the way

Unfortunately, we still never really got time to explore the Village properly, because we couldn’t manage to get there early enough before the concerts started at night, and once the concerts started it was hard to tear ourselves away from the great music. Even so, little details continued to make me happy. On my way to the toilet, I learned that traditional fish-traps make stunning lamps.

 

The venue for the night concerts was a huge field with naturally sloping sides, and the stages were set against backdrops of tall rainforest trees. A particularly nice touch was that there was no back wall to the stages, so you could see right through them to the greenery behind. I wish I could show you photos, but the lack of a tripod rendered all of them hopelessly blurry.

I’ve heard that WOMAD gets more prestigious acts than this festival, but for some reason I enjoyed this much more than either of the WOMADs I’ve attended. Caution about my stitches meant I didn’t do the vigorous dancing I’d normally have engaged in, but I couldn’t help giving in twice - the Old Spice Boys (Australia) got me itching to swing, Petrona Martinez (Colombia) drove everyone wild with hot mama vocals and asstastic beats, and a capable and careful dance partner was available in the form of Louise’s tangomate Kris.


Topless kilt-clad beardy headbanging Poles

I’ve always loved men in kilts, so although I may have looked like I was dancing during the traditional Irish music performance by Shannon (Poland), it was really just the quivering of my loins. Lead vocalist and multi-instrumentalist Marcin Ruminski was looking hot on the big screen as I was eating grilled chicken in the (awesome) food area, so I made my way to the front few rows of the stage, and found Louise and Vivien there for exactly the same reason. I realize the hotness isn’t apparent from the photo - you really have to watch him perform to see it - but believe me, he transfixed all of us so much that his ZZ Top beard didn’t even matter any more. However, it wasn’t just him that made Shannon’s performance so bloody amazing. Individually, all the members of the band were excellent musicians and effervescent performers, and together they were incredibly tight and had great chemistry. And while I suppose a headbanging bodhran player is a bit of a gimmick, it’s still a pretty cool gimmick.

 

All in all, the festival was fabulous, so professionally organised that you’d think you were in Singapore, except, that is, for the friendly volunteers and service staff, the uninhibited exuberance of the crowd, the 6.50 RM pints of Heineken and the illicit rice wine sold in mineral water bottles for 5 RM, the dirt cheap but excellent food (grilled lobster for 9 RM) and the wonderfully cool non-humid weather. Roll on Rainforest Music Festival 2006. I’ll be there.

SIGHTSEEING:

Kuching city itself seemed rather unremarkable, though perhaps that may just have been due to my extreme sleep deprivation while we were there. Apart from strolling along the waterfront and through a pedestrianised street of Indian shops, I saw little else of it before exhaustion set in after lunch (we’d left Singapore at 4.30 AM, and I didn’t get any sleep before that) and I retreated to the hotel for a few hours of sleep before we headed to the festival.

Better rested the next day, we managed an earlyish start for a trip to the Fairy Cave and Wind Cave, about an hour’s drive from Kuching. I’m sure there are better caves in East Malaysia than these, but they were the most convenient to visit in the short time we had and more than enough to awe a city person like me.

Fairy Cave
Middle Earth? No, Malaysia.

The Fairy Cave was like something out of Tolkien. I felt like Bilbo in the Misty Mountains, about to be captured by goblins. Amazingly, I didn’t see any graffitti, not even a tiny “Kennysia wuz here”!

 

Fairy Cave detail
Stalactites and shrubbery

Details of one of the mouths of the Fairy Cave.

 

Wind Cave
Inside looking out

The Wind Cave was less transporting, but geologically more interesting, as the effects of water in hollowing out holes in the ceiling and sculpting river channels were more pronounced. As you’ll see if you view the large version of the photo, there was some graffitti this time.

 

Everybody Offer Centre shop sign
These Kuching people are so friendly!

As I do everywhere I go, I noticed some amusing shop signs as we were driving to the caves and wandering around Kuching city.

 

Mushroom King's Bridal Studio shop sign
If you’re marrying a “fun guy”…

I really don’t know what to make of this one. I cannot see how fungal growths or their non-democratically elected leader for that matter have any connection with romance. Surely this must be a shit-take? (I’d apologise for that last pun, except I’m not sorry.)

 

I’m so glad I was still able to go on this trip despite my operation, and I’m even more glad no harm came to me as a result of it. I’m also very grateful to my travel companions, who rallied round me, helped me carry my luggage, and looked out for me in crowds. I couldn’t have gone without that support.





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