the area dividing the brain and the soul
is affected in many ways by
experience –
some lose all mind and become soul:
insane.
some lose all soul and become mind:
intellectual.
some lose both and become:
accepted.
Archive for February, 2001
I’ve never quite understood why people needed drugs to make them feel happier, but I have to say that if there existed a drug that made you more organized and disciplined, I’d be shooting up every hour.
My mooting semi-finals are on Monday. On the same day, I have to go to the English-Speaking Union and discuss a debate I have to do for Commonwealth Day.
Given my history of real-time mooting i.e. I only come up with most of the arguments as the moot’s actually in progress, which is Really Not Fun, I do think I should put a bit more trouble into preparing for these, since they’re semi-finals, and I’m not into public humiliation. The problem is that the Commonwealth Day debate is sort of important, because it involves going to the Foreign Office and Westminster Abbey and meeting ministerial types, and they’re broadcasting it over the Internet. So I think I should try and bridge the rather large gap between my current ignorance and apathy in matters Commonwealthy, and the paragon of post-colonial, politically informed, politically correct, Commonwealth youth which I’ll have to be on the day.
Bit of a tall order for a rather small girl.
But I said I’d do it, so I guess I should then do my best to make it a successful event. Anything less just wouldn’t be cricket, as my past colonial masters would say.
But musings on a dying (some would say dead) Empire making vain attempts at clutching tattered shreds of dignity around it as it shivers in the cold winds of a unipolarized world in which it crouches, lapdog-like, at the heels of a speech-impaired elephant wearing a rodeo hat aside, this all means that I really should get started on things today.
If I could figure out what it is about exploding dog that tugs so wonderfully at your heartstrings and bottle it, I bet I could make enough money to buy up all the Hallmark products in the world and burn them.
(Sunday 1.36 PM)
It takes a hellish week to appreciate a heavenly weekend.
I was at the Inner Temple intervarsity debating tournament over Friday and all of Saturday. As a team, we came 11th out of 33, which we’re not too satisfied with, given that we’d convincingly whooped three teams ranked above us on speaker points. It also wasn’t great to come out of debates where every other team said we’d clearly won and then be told by the judges that we’d come second or third. I came 9th out of 66 on the individual speaker rankings, which was at least some consolation. Anyway, after one and a half debating years of regular shit happenings, I generally accept bad judging decisions with a shrug and a middle finger.
We’d decided that we wouldn’t follow our occasional tradition of post-IV clubbing, and passed up the guest list at the Ministry Of Sound’s Subliminal Sessions for vodka, lemonade and Kettle Chips at Nick’s place.
We (Nick, Josh and me) came out of the tube at Kings Cross, and it was snowing! It was a strange combination of weather and location - something as pretty as snow, falling on the sleaze and cheerlessness of Kings Cross. You look up, and it’s breathtaking and beautiful as it falls, and then you look down and around you, and it’s slush mixed with corner piss puddles. Within minutes we were covered. I looked at Josh’s frosty eyebrows and noted the huge difference between real snow and the sort that dusts the branches of artificial Christmas trees. I crossed my eyes and tried to watch snow fall past my nose. I stuck my tongue out and collected a flake. Then stuck it out again at Nick, who was laughing at my fascination.
I love falling snow.
After half an hour at Nick’s place, we were joined by his rather drunk flatmates, John and JP, back from the pub. JP heaved a huge snowball into the middle of Nick’s room. Nick wasn’t pleased. JP cleared it up, totteringly.
Josh was interested in listening to Xen Cuts. Nick put in disc 1. I came back from the bathroom, recognized what was on, and said “You have to play track 10!” (DJ Vadim featuring Sarah Jones, Your Revolution). It was exactly what he’d been just about to play.
Later, we were reminiscing about being 14, and Nick put a Nirvana bootleg on. I was saying something about my Nirvana listening times these days being times when I’m not in the mood to have to actively think about appreciating the music, but just want something on with simple tunes, lots of guitar, and some hoarse-voiced guy screaming every now and then. Nirvana fans might see that as a travesty, but that’s what I listen to Nirvana for - mildly rawking accessibility.
So anyway, I was saying all this, and:
Nick: Don’t tell me Aneurysm’s your favourite Nirvana song.
Me: It is, actually. What, don’t you like it?
Nick: This is getting spooky.
At some point during the night all of us were jumping around going wild to Pearl Jam. At some point we were squashed together in the best spot in the room for maximum speaker effect, listening to Teardrop (Massive Attack) and The Box (Orbital) with eyes closed.
At some point we fell asleep.
I’ve only just got back. We dawdled over tea and Kruder & Dorfmeister after waking up around noon. I’d taken my contact lenses off during the night, and the walk home was a blurred but interesting experience. Colours ordinarily seem muted when I can’t see properly, but the sky seemed to be that sort of amazingly vibrant blue that you only get in faked postcard photos. I looked at the sun in an oil-rainbowed puddle for too long, and my eyes started watering. I don’t know what the meteorologists say, but I think I’ll remember that stark transition from last night’s snow in Kings Cross to this morning’s sun in Bloomsbury as the moment my spring began.
Last night had to be one of the most chilled last minute desperate essay rushes ever.
Having been obsessed with Samuel Barber’s Adagio for Strings over the past couple of days, I had Adagio for Strings, Agnus Dei (its choral arrangement) and William Orbit’s version of the work on repeat in WinAmp, and it’s interesting how each version creates a mood of its own quite distinct from that of its counterparts.
The strings arrangement gives me a feeling of overwhelming grief, tempered with dignity. The sort of grief that is tight-lipped and painfully controlled in public but collapses into shattering sobs in private. You feel almost disrespectful if you don’t stop what you’re doing and listen. (This didn’t help the essay-writing process much)
In contrast, there’s little or no sadness in the choral arrangement. I think of worship and reverence, buoyed by quiet hope. This is obviously also due to its title and lyrical content, but even without my Catholic consciousness of what Agnus Dei means, I get a distinctly different feeling from this one than the strings arrangement.
To me, the William Orbit version lacks the warmth and depth of the previous two. It’s a wash of synth, from which I get little or no feeling at all. I just keep thinking of that beloved tribal gesture of trance clubbers, usually made while one track is seguing into another - the “raise your upturned palms in the air as if you are a lightless people and have just seen the sun”. Hmm. Sounds like a Godspeed You Black Emperor! album title. Where was I? Oh, the William Orbit version. I guess this illustrates my point - it’s just really forgettable.
It was almost cosy. Me, Samuel Barber, and the European Court of Justice.
I went into the library to get a book on land law. I came out of the library with no book on land law.
I came out of the library with Kafka’s The Trial, Don DeLillo’s Underworld, and Adrienne Rich’s Your Native Land, Your Life.
I have an essay tomorrow which I haven’t started. A tutorial tomorrow which I haven’t started. The Inner Temple intervarsity debating tournament which I haven’t prepared for.
Ulp.
Song on the Xfm playlist I’m enjoying:
Clint Eastwood (Gorillaz) - Every time this plays I am overcome by a strange compulsion to do that embarrassingly unhip headboppin’ thang. Damon Albarn’s vocals have that laid back Stephen Malkmus vibe he’s gotten good at since Blur’s self-titled album, and as for the rapping in the verses…well, I just like it. I don’t know why. (Note to self: do not quit study of law to become world-famous music journalist just yet.) I’m not sure what to make of the whole virtual reality group concept (Idoru?), but the quality of the two singles released so far suggest we might just be into something good.
Song on the Xfm playlist I’m hating:
Butterfly (Crazy Town) - Will someone please explain to this band that if they want to be yet another nu-metal band, they need to actually have some metal. These guys do the whole Limp Bizkit rap stylie thing, but there isn’t a single overblown, whiplash-inducing riff in this song. If that isn’t bad enough, the song’s called Butterfly, and includes “sugar-pie” in its lyrics. Disgraceful. I want my nu-metal songs to conjure up images of socially dysfunctional adolescents wearing black clothes and neck-braces. File under just “nu”.
Song on the Xfm playlist I’m ashamed of enjoying:
The Next Episode (Dr Dre) - I have no explanations. No excuses. I offer this personal revelation in the hope that public humiliation is good for the soul.
Just randomly:
Thank you, Spencer Owen from Pitchfork, for giving Coldplay’s Parachutes a review it deserves - by this, I mean a review that fully acknowledges its stunning mediocrity. Spot on about the blatant Jeff Buckley influence in Shiver as well, as well as the fact that Jeff did it so much better. I sometimes raise my eyebrows at some of their reviews, but I couldn’t agree with this one more. The mainstream UK music press really should stop relying on that one brain cell they pass round.
Break free
From NME!
I really did think I had it all planned out yesterday. I’d go do a debate for the UCL law faculty against KCL law faculty, go for the UCL Debating Society Monday night debate after that, and then get home in time for the Goodness Gracious Me special, a late dinner, and then tackling of the study deficit.
You know what they say about the best laid plans.
The annual UCL/KCL mudwrestle went well. During the course of my speech, I said the prime entry criteria for admission into Kings was fellatio ability, called one of the male speakers sexually incapable, and the other a walking vibrator advertisement. We won. :)
I then made the mistake of walking into the Debating Society debate “This House Believes That A Woman’s Intelligence Is Proportional To The Length Of Her Skirt” wearing the rather short one that I’d been wearing at the earlier debate, where we were all in suits. The usual wisecracks followed.
After the debate the planned TV dinner and studying suddenly sounded far less of an attractive proposition than an excursion to Flutes, which is a great wine bar on Goodge Street. The next thing I knew, it was a rather unearthly hour, the wine had flowed a bit too freely, and delving into the intricacies of personal injury litigation was distinctly unappealing, as well as pretty much impossible.
Sunday night, in our hall common room: The Italians have decided to make pizza from scratch, for everyone. They’re messing around with huge quantities of dough on one of the tables. Michael’s at the piano, playing Gershwin. Everyone sings the bits they know with gusto and extreme raucousness.
Later on, as people start dispersing, James returns from busking in Covent Garden. He stashes his violin behind the bar, gets himself a pint, and puts Shostakovich string quartets on the stereo. I am still in the room, having an intense conversation with Susie about Heinz Big Soups and their campaign of misinformation (”It never tastes as good as you think when you buy it”). We drift over, me particularly keen due to Saturday’s epiphany (see below). James is going through a stack of CDs. After a while I bring my property law seminar work down from my room. The next few hours are a trip. Verdi’s Requiem. Tchaikovsky’s 6th symphony. Sibelius’s Finlandia. James makes everyone stop what they’re doing and close their eyes during Barber’s Adagio for Strings. It fills the room.
It fills the room.
A radical change in listening choices today. I was doing reception duty in my hall this morning, and was about to put on Xfm when I noticed a cassette tape lying beside the stereo. Nigel Kennedy playing Mendelssohn’s Violin Concerto in E minor and Bruch’s Violin Concerto No 1 in G minor. I put the tape on, and ended up listening to each work two or three times through.
My links with classical music have become somewhat eroded over the years. I finished Grade 8 in violin and piano, and meandered for a while after that, unwilling to take on the practice required for performance certificates and diplomas, due to my increasing commitment to competitive debating. I was a first violinist in the Singapore Youth Orchestra from when I was 13, and left when I was 18, also because I needed time to train for the World Schools Debating Championships.
The music this morning took me back to that time of my life. They were pieces I’ve played, and loved, and I suddenly felt a sudden and acute loss of those days when classical music was so much a part of my life. I might pop down to Oxford Street later and look for some of those old loves, but I realize the inadequacy and stagnation of my knowledge here now - which interpretation?
Who does the best rendition of Lalo’s Symphonie Espagnole? Stravinsky’s The Rites Of Spring? Who will give me the sound and fury I love in Mussorgsky’s Night On Bare Mountain and Borodin’s Polovtsian Dances, but preserve the sinuous beauty that peeps in every now and then? I know nothing about Mahler but want to, who will teach me to appreciate him? Can anyone play Paganini’s violin caprices and do them justice? Bach’s Goldberg Variations?
Ignorance is anything but bliss.