2008 Music Rundown

I never realized this before, but it’s surprisingly easy to do a year-end music rundown when you haven’t listened to much new music! In no particular order except that the Portishead is HOLY SHIT AWESOME, here’s some 2008-released stuff I especially enjoyed.

Albums:

  • Third (Portishead): I have never had high expectations so comprehensively and delightfully exceeded. It is everything I loved about Portishead, yet nothing like what came before.
  • Rook (Shearwater): Gorgeous, varied collection of songs all tied together by Jonathan Meiburg’s supple, versatile voice.
  • Attack And Release (Black Keys): I really love the Dangermouse production on this, the sound breathes and floats in what feels like a very non-garagerocky space but the band sounds as tight as ever.
  • Carried To Dust (Calexico): I didn’t like Garden Ruin much, so I love that this album is so reminiscent of my favourite parts of Feast Of Wire - which is to say, it’s more songs for that time just after the sun’s dramatic dip below the horizon when what remains in the sky is the most ethereal, subtle light.
  • The Bake Sale EP (Cool Kids): Creative beat making, pretty good ass-shaking.
  • Distortion (Magnetic Fields): Stephin Merritt’s songwriting has usually been strong enough to pull off Magnetic Fields’ various concept albums, and this album’s concept - every song drenched in Psychocandy-inspired distortion - had me from hello.

Songs: 1

  • Serpentine (Chris Bathgate): If we named songs the way classical composers used to, this could be “Serenade for piano, double bass, and pensive, almost reverential, human voice”. The album (A Cork Tale Wake) is decent too, and especially recommended if you like The Frames.
  • My Pillow Is The Threshhold (Silver Jews): The quiet shimmering guitar background which escalates to a final minute of restrained soundwall-y bliss is so lovely. The album (Lookout Mountain Lookout Sea) is also good, but omitted from the above list because I rate it slightly less highly than the band’s others.
  • Seeing Hands (Dengue Fever): I came for the band name and stayed for Chhom Nimol’s exquisite voice. I don’t know if loving this song is an overcompensatory wannabe-cosmopolitan response to its all-Cambodian exoticism, but I do know it makes me sway happily from side to side.
  • Tiger Mountain Peasant Song (Fleet Foxes): How does a song lie on its back looking up at the clouds, and soar through them, all at the same time?
  • Furr (Blitzen Trapper): Drew me instantly into its story and lyrics, which is rare (for me). The last time that happened was many years ago, with The Decemberists’ Leslie Ann Levine.

But yeah, as is probably obvious, there’s lots more I simply haven’t got round to yet from this year - what else should I add to this list to chase down? What did you love?

  • London Zoo (The Bug)
  • The Renaissance (Q-Tip)
  • At War With Walls And Mazes (Son Lux)
  • Everything That Happens Will Happen Today (Brian Eno and David Byrne)
  • Los Angeles (Flying Lotus)
  • Furr (Blitzen Trapper)
  1. From albums which aren’t in my favourites list, either because I didn’t like them enough or haven’t heard them yet.

OMG Stop Press Breaking News

Via Man vs. Clown!, run-don’t-walk to Cute Things Falling Asleep.

2008 Reading Rundown

I was horrified at the tiny number of books I read in 2007 (wedding stress plus, okay, the addition of a large amount of X-rated X-Files fanfic to my PDA) so decided to keep a log of the books I read in 2008. I didn’t bother to record any of the cookbooks I read and probably missed out one or two photography books too but am happy enough with the 26 I did record, it seems a decent number for a working adult with a life and various other addictions.

Here’s an executive summary for anyone who might find it useful.

5 stars:

  • On Chesil Beach (Ian McEwan): Perfect distillation of McEwan’s best abilities unmarred by any of his failings. [My entry]
  • Epileptic (David B): Interesting plot, but it’s the complex, surreal drawings which elevate this to extraordinary. [My entry]
  • Stuart: A Life Backwards (Alexander Masters): Funny, illuminating and really sad. The choice of a “backwards” narrative (Stuart’s idea) is spot on. [My entry]
  • Never Let Me Go (Kazuo Ishiguro): Elegantly unfolded plot, wonderfully perceptive writing. [My entry]
  • The Road (Cormac McCarthy): Literary triumph, real life downer - it’s transporting, but be warned that it transports you to a meticulously imagined post-apocalyptic world of almost unremitting bleakness.
  • Nine Parts Of Desire: The Hidden World Of Islamic Women (Geraldine Brooks): Engaging, often surprising, and (came across as) mostly balanced. It made me want to read further into the topic.
  • Understanding Exposure (Bryan Peterson): A really accessible and useful introduction to the topic for this photography noob.

4 stars:

  • Memoirs Of My Melancholy Whores (Gabriel Garcia Marquez): Much of what is wonderful about Garcia Marquez’s writing, in a shorter and more accessible package. [My entry]
  • In The Bedroom (Andre Dubus): Even if you’re not much of a short story person (neither am I), these are some of the most masterfully written short stories I’ve ever read. I’d never heard of Dubus or this book until Karen pressed it into my hands, and am grateful for the recommendation.
  • What Is The What (Dave Eggers): The story of the Lost Boys of Sudan is worth reading in itself, but Eggers also does a great job of telling it.
  • An Artist Of The Floating World (Kazuo Ishiguro): Last read this as a teenager and still find its particular insights into Japanese society interesting.

3.5 stars:

  • Northern Lights (Philip Pullman): Rather too dull to unseat C.S. Lewis’s Narnian chronicles, but its ambition is impressive.
  • Black Swan Green (David Mitchell): Pleasant and well-written, but while I can’t think of any flaws I can’t remember much of the book at all.
  • What The Dead Know (Laura Lippman): I haven’t read many crime novels, but if they’re all this riveting I should read more of them.

3 stars:

  • When You Are Engulfed In Flames (David Sedaris): Fine if you’ve never read him, but disappointing compared to any of his previous books.
  • Wide Sargasso Sea (Jean Rhys): Impressive if you think of it as ambitious fanfic, otherwise it’s rather unsatisfying despite the good writing.
  • The Wasp Factory (Iain Banks): Passably diverting account of a disturbed teen and his freaky little universe. Might gross out the squeamish.
  • The Shadow Of The Wind (Carlos Ruiz Zafon): Enjoyable enough as an escapist romp through a fantasy Barcelona, but a tad overlong and predictable.
  • The Harmony Silk Factory (Tash Aw): Its ambition somewhat exceeds its execution, but am glad a Malaysian-born author got famous with a book steeped in Malaysia and I’ll keep an eye out for what Tash Aw comes up with next.
  • Water For Elephants (Sara Gruen): Unmemorable writing but the story’s great fun, especially if you counted Mr Galliano’s Circus among your favourite childhood books too.
  • Magic For Beginners (Kelly Link): Whimsical, dark short stories. Good while you’re reading them, but forgettable afterwards.
  • The Somnambulist (Jonathan Barnes): A “fantasy London” book. Promising first half, but second half lost steam and went a bit nuts.
  • Learning To See Creatively (Bryan Peterson): Good reminders and examples of things you probably already know.
  • Understanding Shutter Speed (Bryan Peterson): Not as immediately inspiring as Understanding Exposure, but perhaps I’ll think differently when I experiment more with shutter speed.

2 stars:

The Boretress Of Slowitude

Have any of you read this? I’m 67 pages in and still as bored as I was on page 1, which is to say: totally.

I even brought the book on our weekend trip to KL, hoping that an aggregate of 10 coach hours with nothing else to do would force me to keep going until a switch magically flipped and I finally realized why the novel is apparently a “great daredevil ride” (The Times, according to the back cover). Alas, no - every time I tried to make any progress, I’d get bored after a few pages and doze off, snooze for a few minutes and then wake up again due to coach discomfort or noisy kids. Rinse and repeat, 5 hours each way.

I don’t understand how the same author who delighted me with Motherless Brooklyn’s pace, plot and humour could have birthed this tedious turd. The writing is as competent and assured as you can expect from Jonathan Lethem, but he’s taken something that could be so engaging - the ’70s childhood of a white boy in a gradually gentrifying Brooklyn neighbourhood - and sucked all the life out of it, then spat out the flavourless remains into 67 pages (so far) of carefully penned but stupefyingly dull observations. It’s like seeing graffiti in greyscale.

In my younger more pretentious days I might have stuck with this because it is Worthy by many accounts, but I now feel no compunction in giving it up. More good books exist than I will ever be able to finish reading in my lifetime, and thousands of those will reward the intelligent, thoughtful and reasonably patient reader more than this one did. I’m moving on. What have you read and enjoyed recently?

Feed Foulups

If you use Google Reader to keep up with this blog, I’ve noticed that it’s often out of sync with the latest updates, and some (like my recent blip about a Microsoft Paint summary of Watchmen) never get displayed at all. I’ve looked but haven’t managed to find out how to deal with this, so:
- if you’re a Google Reader user and it looks like I haven’t updated in a while, try visiting the page itself
- if you’re not a Google Reader user, please bear with me if you see things republished a few times, I’m just trying to figure out what the hell will make Google Reader figure out that something’s been updated here

Wtchmn

I’m not sure whether or not to bother rereading Watchmen before the movie, because I believe movies are always far more enjoyable if you haven’t read (or can hardly remember) the book. The book is substantially superior 90% of the time, so you might as well spare yourself some impotent huffing in the cinema, appreciate the movie on its own merits, and then savour the additional depth and luxury that lots and lots of words can offer.

I think it was fairly safe to read this Microsoft Paint condensed version though.

Fluffoshop

I’ve been going through some of my old digital photos lately, partly to clear more space (40GB was plenty in 2003 but doesn’t go far these days), and partly because it’s beyond ridiculous that I’ve hardly printed a single photo since going digital.

Also, I’m intending to test out a few photobook services and eventually pick one to do a wedding photobook with. It’s one thing to be a chilled non-Bridezilla and it’s another to be more than a year past your wedding and shamefacedly explaining to kind-hearted inquiring relatives that no, we don’t have an album to show them yet, yes, we could have ordered one from our photographer but no, we didn’t because we wanted to control costs and DIY it, and yes, it’s pretty lame when the end result of “controlling wedding album costs” = “no wedding album to speak of because we spent too much time sitting on our asses watching Dexter”.

Anyway! I decided to use old holiday photos to do the test photobooks because I thought I would be less likely to descend into a little pit of perfectionism with those. Of course, then I just happened to discover that ingenious people have found ways to use Curves with Photoshop Elements and install Photoshop actions to do all sorts of neat things which I can’t be bothered to do manually. (None of this is possible with the default setup of my antediluvian Photoshop Elements 2.0, though I’m fully prepared for some of you to gently inform me that this life-changing Photoshop Elements revelation is really the equivalent of celebrating the invention of vacuum cleaners because previously I would have had to suck dust into my mouth and spit it into the bin.)

So I’ve been tinkering away happily and experimenting with stuff beyond the simple Levels - Unsharp Mask - Save For Web workflow I used to stick to. Here’s a little dog I photographed in Chiang Mai but never showed you because my Chiang Mai entries didn’t go beyond day 2. He’s not the most accomplished and sophisticated example of what I now hope to achieve with my radly haxXoRed Elements, but he is the only example I found myself petting with my mouse cursor.

Check out mah soft focus, bitches.

Pun-ishment

I’ll be the first to admit I cram too many awful puns and awkward references into my post titles, but that still doesn’t mean I deserved to open my feed reader and see The Guardian’s Lap lands Selfridges Santa with sack despite elf warning.

Simile

I lost the draft post for this in the server meltdown so the topic of discussion is obviously yesterday’s “news” by now, but I remembered the incident while listening to the radio today and decided to resurrect this conversational fragment anyway. I’m always amused by the strange things that move Alec to angry pithiness.

Me, reading the news: Henceforth, Beyonce’s new stage name shall be Sasha Fierce.
Alec: WHAT.
Me: It is designed to emphasise a fiercer musical direction.
Alec, looking genuinely aggrieved: She’s about as fierce as a Care Bear’s nipple!

Kansai: Day One (Miyajima)

Japan being Japan, we progressed incredibly efficiently, with excellent customer service every step of the way, from landing to baggage collection to sending our larger bags to our Kyoto hotel via the takuhaibin to collecting our Japan Rail pass to advance booking our train tickets to Takayama to sitting comfortably in the train to Hiroshima, watching the ticket inspector bow to the entire carriage before he started checking people’s tickets. I’ve decided it’s dangerous to go to Japan too often; when stuff is this effortless it makes you too soft to deal with the rest of Asia. Especially when you’re eying Laos for your next holiday (ulp).

After a quick 500Y udon lunch at a vending machine restaurant on the Hiroshima station platform, we hopped on another train to Miyajima-guchi, where we would take the ferry to Miyajima, our ultimate destination for the day. It is a sacred island to the Japanese, famous for the view of the Itsukushima Shrine’s torii (symbolic gate, it’s the red thing in the photo above) at high tide, AND IT HAS TAME DEER ROAMING THE STREETS. Of course, while planning our itinerary, I pretended to Alec that I was deeply interested in the religious and cultural aspects of the island.

NOW CHECK OUT THE DEER!

Miyajima Deer

Deer under a tree!

 

Deer in the bicycle lot!

 

Deer scratching its neck!

 

MUMMY AND BABY DEER! (The fawn kept trying to suckle by sticking its nose in between its mother’s legs as it trotted along behind her, which slightly disturbed my happy Bambi reverie.)

 

You are probably wondering how Alec managed to keep his lunchtime udon in his stomach in the midst of all this cuteness. It was tough on him, definitely. Here (visible to Flickr friends) is a very bored Alec stuck between mummy deer, fawn, and two little dogs. Don’t ask about the bacterial umbrella.

Eventually, once I had grudgingly accepted that stuffing the fawn into my overnight bag would be unwise, we continued our walk to Momijiso, our ryokan. We didn’t stay in any ryokans on the Tokyo trip since Alec was travelling for work that time, so we were glad to finally get the opportunity with this trip. In the price bands given by Japanese Guesthouses (a very useful service that helps non-Japanese speakers book ryokan rooms), A being the most expensive and D the cheapest, Momijiso is a C. So our room “only” cost us 33,000Y per night. You can do the math here, just try not to scream.

But hey, the trip was meant to be a belated first wedding anniversary celebration, and for the most terrifyingly priced accommodation we’d ever been in, at least it came with a lovely view onto the park, a carp pond just outside our window, two meals and a delightful obasan.

 

After freshening up, we took the ropeway up Mount Misen. We didn’t have time to hike up to the highest summit, but the views were pretty nice from what we did manage. The promotional pamphlet for the mountain is quite amusing - it lists a few things as among the “seven wonders of Misen”, but then clarifies that you can’t see them because they’re dead. The Ryuto-no-sugi is “the great cedar from which mysterious lights on the sea can be seen”. It’s now dead. The Shigure-zakura is a cherry tree which, on a fine day, “alone remains wet - seemingly caught in a rain. Can’t see the tree now because it has been dead.”

 

Dinner (included in the price of the ryokan room) was a spread of delicious home cooking by the aforementioned obasan - tuna, salmon and sea bream sashimi, cold tofu, lotus root with jellyfish, shrimp in light vinegar, grilled lobster (I’m allergic to lobster, so Alec got my lobster and let me eat his sashimi), sea bream in miso sauce, beef with green peppers and bamboo shoots, and for dessert, Japanese-style cheesecake and some of those huge amazing Japanese grapes where the juice tastes like wine when you bite into them. Here’s yukata-clad me (visible to Flickr friends) with just some of what we ate.

Miyajima at night is a far cry from its touristy daytime. Everything closes - no restaurants or bars are open because any tourist on the island eats in their ryokan.

 

The streets are largely empty except for a handful of strolling ryokan guests and the island’s nocturnal animals. A deer chased Alec 20m down the street after he bought an ice cream, and we also saw a tanuki! On the banks of the river, in the path of a powerful spotlight, a huge exhibitionist spider had made itself a helluva crib.

 

I didn’t see the big deal about Miyajima’s famous torii when I read about it in the guidebooks or saw pictures online. But in real life, gazing in the Miyajima evening calm at the bright red illuminated torii, its reflection rippling across the dark waters, was the moment I really felt like our holiday had begun.

 





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